Adam Hyndman is a Tony Award Winning producer, artist & creative facilitator.

I’ve had the great good fortune to build a life and career within the arts ecosystem. I emerged into the field as a performer and teaching artist, and developed my personal philosophies on process and collaboration through long hours in the studio developing my craft.

Some notable performing credits include: ONLY MURDERS IN THE BUILDING, NBC’s THE SING OFF, CHILDREN OF EDEN at The Kennedy Center, ALADDIN on Broadway, ONCE ON THIS ISLAND on Broadway, and HADESTOWN on Broadway. I am currently incubating several projects as a creative and independent producer (including two play’s by Roger Q. Mason: LAVENDER MEN & THE DUAT, the immersive musical WE CAME TO DANCE, and the television series FOR THE BOYS), as well as within the team at the Tony Award winning Octopus Theatricals. I was a co-producer for the Broadway production of THE INHERITANCE (Tony Award & Drama Desk Award for Best Play), Associate producer for the Broadway production of HERE LIES LOVE, and am currently the Associate Producer for the upcoming revival of GYPSY on Broadway (starring Audra McDonald, directed by George C. Wolfe & choreographed by Camille A. Brown.)

I am honored to serve on the board of directors for both Pipeline Theatre Company, as well as Producer Hub. My purpose in this work is for disruption, radical accessibility, and reconciliation. I continue in this vein as a founder of The Industry Standard Group (a community fund designed for BIPOC folx to invest and produce in commercial theater) and as a core collaborator with Groundwater Arts.

I graduated from Princeton University with a degree in Cultural Anthropology and minors in Theatre and Dance. I have been very grateful to return to Princeton as a guest teaching artist within the Lewis Center for the Arts, and I continue at other institutions as a freelance instructor working with emerging artists to share my commitment to excellence and progressive achievement through collaboration.

I see the world through a lens of intersectionality. My impact is informed by my identity as a queer artist of Filipino and African American decent. Being a translator across perspectives and empowering belonging is my superpower. In all I do, I seek to be a conduit of connection, and I strive toward the manifestation of a diverse and inclusive world.